It is difficult to judge at first, but it appears that some music genres (classical and jazz especially) have seen a radically slowed or non-existent output of significant works in recent decades. By significant, I mean works that would be seen in league with the most acclaimed artists in the genre (eg Beethoven, John Coltrane). In a similar way, there is a building popular consensus that Hollywood is not pursuing original ideas as much anymore and is relying on rebooting old stories and franchises. But is this because of a fault of the Hollywood system, or is it because there are few significant movie story ideas left that have not been done?
It seems to me that there are limited possibilities in art (or any field) of what we can discover or create. It appears that the matter and rules of the universe (in concert with human nature) manifests itself into these limited possibilities. When we develop a field or genre, we learn and create at an increasing rate but then eventually "complete" the field (in a boom and bust pattern).
I wrote a brief article called The Big Niche to try and explain this concept.
The relevant questions seem to be:
Do you agree that from experience and observation, we can tell that certain genres or fields appear to become completed?
Does this concept or another concept best explain what is happening?
I'm interested if any of you agree with this line of thinking or have other possible explanations of this phenomena.
Ah, I was worried about that, thanks for the feedback.
I don't know that much about any kind of music, but to the extent that I do know anything I'm much more knowledgeable about jazz than "classical". This is a common failure mode, I think: underestimating the complexity of things you're unfamiliar with compared to those you know better. (It also doesn't help that I learned about jazz into the context of playing it, while I learned about "classical" in the context of learning rule-oriented music theory).
This might completely invalidate my point, then, but I think jazz can at least come close to "classical"'s range of possibilities. Granted, that might be only because of the vast range of free jazz-y stuff that's unlikely to ever become widely popular. If the point does still stand (since, after all, jazz has existed for significantly less time), it is only in a weakened form.
Also, I'm inclined to believe what you're saying about "no musical tradition in the world" ever being as wide-ranging as "classical" music, but it is a pretty substantial claim. Do you mind elaborating on why you think that's so? I'm honestly mostly asking out of personal interest, not doubt; I want to learn more about this.
This might completely invalidate my point, then, but I think jazz can at least come close to "classical"'s range of possibilities
It comes the closest of any popular tradition, certainly, but not really that close in absolute terms.
Also, I'm inclined to believe what you're saying about "no musical tradition in the world" ever being as wide-ranging as "classical" music, but it is a pretty substantial claim. Do you mind elaborating on why you think that's so?
It's similar to the reason that Western civilization is the most... (read more)