First things that come to mind are dance party/club for jealousy, political rally for nationalism.
Thanks for writing all this, found it very interesting and (expectantly) useful!
One thing that interests me is how to apply it to more abstract concepts; I'm not particularly interested in things found in the state of nature, like bugs and trees and such, but I am fascinated by people, emotions, thoughts, etc. So I find myself thinking things like "What can I do to increase my contact with 'Jealousy' or 'nationalism' etc" and coming up with ways to either find circumstances where people feel those things and observe them, or find ways to induce those feelings in myself for more careful study... but neither feels quite satisfying to what I actually want to better understand.
Curious to know if you have any thoughts on this, or ideas for what might help better orient my frame of how to explore those things more directly in this way.
These concepts are great. It's really neat noticing how well you're teaching this in such a straightforward way, because it's easy to imagining how someone else could try teaching it in a straightforward way and say it in a much more clumsy or ineffectual method. Like, the importance of noting that patient observation can/must include being able to return to something your attention has bounced off of rather than keeping your attention on it consistently moment to moment feels really hard to overstate!
These categories also feel super useful and worth distinguishing for a number of circumstances, such as one layer of trying to understand why two people could ostensibly experience the same thing, such as eyewitness a robbery, but remember it very differently.
I seriously love this categorization of different ways of "knowing," and am already thinking of ways to use it in some story or another.
Thanks for writing this up, I had similar thoughts.Overall I'm glad Cathleen wrote this post, as it gave me a lot more insight into what life in Leverage was like and why, and more empathy for what people there have been going through. I really hope she and everyone else manages to carry on, be successful, not be stigmatized, and keep working on things that are important to them.
But also, I have not updated in the direction of "Leverage was actually working on important or meaningful things that are valuable to other people outside its ecosystem." I'm still waiting for that, and interested in seeing things that might indicate it. It would be fantastic to learn of new psychology research or insights that could help me and my friends and clients.
This also seems central to why the question of whether Leverage is being treated unfairly now or not feels very different than whether they were treated unfairly before.
This was fantastic. Even short as it is, it's the most clear examination of criticism I've seen, and thorough enough an explanation to lead to truly deep understanding of how it relates to creativity and learning of all kind. Thanks for writing this!
From what I've seen over the past few years, your honed skill in focusing your attention and noticing what's happening and putting what you notice into words allows you to discover what works or is healthy for you from "first principles," for lack of a better phrase. This is different from most therapy, which circles inward from the outside of each problem. Learning from previous situations can shortcut the process, but therapy rarely has the time to actually teach people to do the thing you've learned, which seems to give you a much more gears-level understanding of what's happening and whether you want to change it and how to go about that.That's how it looks from the outside at least. Does it match your experience?
>This is the sort of insight that, in my rough understanding of therapy, therapists hope people will make, but which people are often "too loud" in their own heads to ever notice.Absolutely. In the brief conversation I had with Logan in person a few years ago I remarked how much I enjoyed their writing, not-only-but-additionally-because it's fascinating seeing them "rediscover/recreate" so much of what I was taught to do professionally from their own unique angle. Since then they have continued to do so and also have in many ways gone beyond the standard.Excellent read, thanks for annotating it and to Logan for writing it :)
Interesting post. I notice PR here being used in a mostly "avoid negative" way, and while I get why, I feel like it's just one side of the coin... and the comparison to adhering to honor doesn't quite capture the full thing either.One of the ongoing struggles I write the protagonist in Pokemon: The Origin of Species as having with some of the others is that they grew up the children of famous people and so are immersed in a worldview in which PR is a good and important thing, while he did not and so it seems intrinsically dishonest or "slimy" to think in ways like "how will people react to this?"Their major arguments against him is something like "PR isn't just about protecting your brand, it's also about putting yourself out there. If you want to be someone that matters in the world, someone that the public will listen to, you need some hustle, you need to promote yourself, and yes, sure, of course you should do that honestly, but if you just flat don't care about what others think of you, you give up low hanging fruit in ways to show positive parts of yourself that the public cares about, and are more prone to blunders that the hivemind of society has put more collective thought into than you have."He is not fully convinced by this, but so far in the story he's becoming less sure of his resistance to it as well. I'm curious to know what you think of the above.