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Art is the only sanctuary that allows you to dive deep into sorrow and pain and emerge with praise and recognition. Yet, this is not a form of cheap compensation; the prerequisite is a formidable Aesthetic Will. Under such a will, creativity is no longer a mere repetition of suffering, but a radical redesign of memory structures using the rigid and painful "raw materials" of past experience. The core of design lies in the structure, not the content.
From a neuroscientific perspective, the hippocampus functions essentially by grouping and connecting memories. In reality, we are not shaped by what happened to us, but by the logical structure through which we organize those memories. When the content of memory remains constant but you reconstruct its organizational framework, the brain’s predictive model of reality undergoes a qualitative leap.
For me, the endless mourning of trauma or the deliberate attempt to build a "compensatory aesthetic" has lost its potency. I crave a fierce integration, a fusion of the dualities I perceive. Whether it is a descent or an ascent, within a vast enough space, these should be viewed merely as random variables of motion, no longer capable of triggering panic or restraint. When the high and low, the far and near, the beautiful and ugly, the painful and pleasant all return to a state of equal presence—that is a truly magnificent landscape.
This shift is, in essence, a transition from Content to Container. A "Good Container" can hold everything, allowing all things to exist in equality within it. Inside this container, you must allow things to manifest according to their own inherent principles and accept highly abstract facts. This integration of memory is for the purpose of predicting and creating the future; therefore, it rejects stereotyping. You must build through deconstruction, rather than a mere assembly of "pure images."
In truth, you are no longer designing memory; you are designing the Future. The manifestation of the future will aggregate and extend entirely based on the structures you design today.
As Ye once said: "My fans are not my fans. They are fans of themselves. I’m just a prompt." As Nina Simone sang: "I wish you would know what it means to be me. Then you will see and agree, that every man should be free."
This is the duty of the artist: to enable people to predict a brand-new, liberated future from the ruins of stale memory. Everyone possesses their own freedom—your ultimate destination is not healing, but Creation.
Art is the only sanctuary that allows you to dive deep into sorrow and pain and emerge with praise and recognition. Yet, this is not a form of cheap compensation; the prerequisite is a formidable Aesthetic Will. Under such a will, creativity is no longer a mere repetition of suffering, but a radical redesign of memory structures using the rigid and painful "raw materials" of past experience. The core of design lies in the structure, not the content.
From a neuroscientific perspective, the hippocampus functions essentially by grouping and connecting memories. In reality, we are not shaped by what happened to us, but by the logical structure through which we organize those memories. When the content of memory remains constant but you reconstruct its organizational framework, the brain’s predictive model of reality undergoes a qualitative leap.
For me, the endless mourning of trauma or the deliberate attempt to build a "compensatory aesthetic" has lost its potency. I crave a fierce integration, a fusion of the dualities I perceive. Whether it is a descent or an ascent, within a vast enough space, these should be viewed merely as random variables of motion, no longer capable of triggering panic or restraint. When the high and low, the far and near, the beautiful and ugly, the painful and pleasant all return to a state of equal presence—that is a truly magnificent landscape.
This shift is, in essence, a transition from Content to Container. A "Good Container" can hold everything, allowing all things to exist in equality within it. Inside this container, you must allow things to manifest according to their own inherent principles and accept highly abstract facts. This integration of memory is for the purpose of predicting and creating the future; therefore, it rejects stereotyping. You must build through deconstruction, rather than a mere assembly of "pure images."
In truth, you are no longer designing memory; you are designing the Future. The manifestation of the future will aggregate and extend entirely based on the structures you design today.
As Ye once said: "My fans are not my fans. They are fans of themselves. I’m just a prompt." As Nina Simone sang: "I wish you would know what it means to be me. Then you will see and agree, that every man should be free."
This is the duty of the artist: to enable people to predict a brand-new, liberated future from the ruins of stale memory. Everyone possesses their own freedom—your ultimate destination is not healing, but Creation.