Disclaimer: this comment includes a lot of speculation on philosophy and art movements that I myself don't have an in-depth understanding of. Please take this with a grain of salt. If anyone reading this understands the matter better and sees me saying BS, please correct me.
I think that one thing that can be helpful to examine is postmodernism. As Jean-Francois Lyotard had originally described it in the late 70s, it is "incredulity towards metanarratives". For Lyotard this meant rejecting the idea that the world is described or describable by some unified model. He criticized both capitalists and marxists, which were two sides of the big ideological struggle of his time, for trying to assert that there is a single and universally true vision of society and money and power and how to handle those. He also criticized science, which he said had turned from "truly producing knowledge" to "performativity" and churning out self-contradictory results, which to him meant that the "metanarrative" of science explaining the world was fake and discredited.
Now, Lyotard later rejected some of these ideas and admitted he did not have a very good understanding of the sciences he was trying to criticize, but his work was influential and the notion of skepticism towards big universal narratives (including scientism) took hold in the French intellectual sphere and birthed the entire movement of postmodernism.
These are things I'm relatively (see disclaimer) confident in. From here, we have to make two assumptions to get us somewhere relevant to your question. First, assume portrayal of some event in art has influence on its public perception, including this event being celebrated or not (I'm quite confident in this assumption). Second, assume Lyotard's ideas had influence not only on philosophy, but also on art (I'm less confident in this - in fact, Lyotard borrowed the term "postmodernism" from art critics, who were using it before him, and I'm not familiar with anything about postmodernism in art that would scream rejection of science and technology - maybe aside from that postmodern artists are broadly understood as rejecting modern ones, and Bauhaus, an art movement obsessed with glorifying technology, is broadly understood as modernist).
If these assumptions hold, we have something like an answer to your question - if the artist starts with the abstract notion that there is no universal rhyme or reason to the world that humans could discover, they will not create works that glorify discovery or science, and thus will not spur public celebration.
When I first read the original post, I thought of how in culture there seems (to me) to be a drop off of passion somewhere in the 1970s, and that postmodernism kind of goes with that. Passion about something that happens is more powerful if it really is -- if things no longer seem to be as firmly to us, there is less passion. From a naive outsider point of view, it looks like Buddhism softens is as well, so the hypothesis that celebration follows being could be tested by seeing if Buddhist countries have as intense of celebrations about progress, or anyt... (read more)
In reading stories of progress, one thing that has struck me was the wild, enthusiastic celebrations that accompanied some of them in the past. Read some of these stories; somehow it’s hard for me to imagine similar jubilation happening today:
The US transcontinental railroad, 1869
The transcontinental railroad was the first to link the US east and west. Prior to the railroad, to travel from coast to coast could take six months, whether by land or sea, and the journey was hard and perilous. California was like a foreign colony, separated from the life and industry of the East. The railroad changed that completely, taking a six-month journey down to a matter of days.
Here’s how the western cities reacted, from Stephen Ambrose’s book Nothing Like It in the World:
The Brooklyn Bridge, 1883
The Brooklyn Bridge did not connect a distance nearly as great as the transcontinental railroad, but it too was met with grand celebrations. An excerpt from David McCullough’s The Great Bridge:
Not only did they celebrate, they analyzed and philosophized:
The celebrations culminated with an enormous fireworks show:
Comparing this to another accomplishment we’ll return to below, McCullough writes:
Electric lighting, 1879
The electric light bulb was perhaps not met with parades or fireworks, but it did attract visitors from far and wide just to see the marvel. From Robert Gordon’s The Rise and Fall of American Growth:
The polio vaccine, 1955
Rails, bridges and lights were celebrated in part because they greatly relieved the burdens of distance and darkness. Another burden was lifted in 1955 when the polio vaccine was announced.
Polio terrified the nation, much more so than diseases such as tuberculosis that were actually much bigger killers, for a few reasons. It struck in unpredictable, dramatic epidemics. The epidemics were relatively new starting in the late 1800s; it was not a disease that had been widespread throughout history, such as smallpox. It left many victims paralyzed rather than killing them, so its results were visible in the form of crutches, braces, and wheelchairs. It targeted children, striking fear into the hearts of parents. And it could not be fought with the new weapons of cleanliness and sanitation, which were successful against so many other diseases. This added guilt to the fear, as parents of polio victims obsessed over what they had done wrong in failing to protect their children.
So it’s understandable that the entire nation was eager to hear the news of a vaccine, and went wild when it was achieved. From Breakthrough: The Saga of Jonas Salk, by Richard Carter:
David Oshinsky adds more details in Polio: An American Story:
Steven Pinker, in Enlightenment Now, after quoting some of the passage from Richard Carter above, adds: “The city of New York offered to honor Salk with a ticker-tape parade, which he politely declined.” Speaking of which—
Historic flights, 1920s and ’30s
I looked up the history of ticker-tape parades in New York City. Wikipedia has a list. These seem to have been most common from about 1926 to 1965, with multiple parades a year in that period (except when the US was fighting WW2, when there were none), compared with less than one a year on average in the years before or since.
What was celebrated? Mostly politicians, military heroes, visiting foreign leaders, and occasionally sports champions. (There was one parade for a musician, Van Cliburn, after he won the Moscow International Tchaikovsky Competition.)
However, the 1920s and ’30s saw over a dozen parades celebrating aviation achievements, including Charles Lindburgh and Amelia Earhart:
Astronauts, 1962–71
During the early space program, there were also several NYC ticker-tape parades for astronauts—not just the Apollo 11 heroes, who went on a world tour after the Moon landing, but missions before and after as well:
And much later:
Apollo 11 parade Wikimedia / NASA
Recent celebrations?
I’m having a hard time coming up with any major celebrations of scientific, technological, or industrial achievements since the Apollo Program.
When I alluded to this on Twitter, some people suggested the long lines of consumers waiting to buy iPhones. I don’t count that in the same category: it shows a desire for a product. I’m looking for outright celebration.
It’s not that no one cares about progress anymore. Plenty of people still get excited by science news, new inventions, and breakthrough achievements—especially in space, which has a strong “coolness” factor. Noah Smith polled his followers, and ~75% of respondents said they “celebrated or got very excited about” the Mars Pathfinder landing in 1996. More recently, many people in my circles were excited about the SpaceX Dragon launch a few months ago. But a minority of geeks excitedly watching live feeds from home doesn’t compare, in my opinion, to the celebrations described above.
It’s also not that we don’t honor progress in any way. Formal institutions such as the Nobel prizes still do so on a regular basis. I’m talking more about ad-hoc displays of enthusiasm and admiration.
Some hypotheses
Here are a few hypotheses for why there haven’t been any major celebrations of progress in the last ~50 years:
• There haven’t been as many big accomplishments. We haven’t gone back to the Moon or cured cancer. We haven’t solved traffic or auto accidents. This is the stagnation hypothesis.
But what about the progress we have made? What about computers and the Internet? What about sequencing the human genome or producing insulin using genetic engineering?
This leads to the second hypothesis:
• The progress we have made hasn’t been the kind that lends itself to big public celebrations. Celebrations are generally for big, visible achievements that were completed at a defined point and that the public could easily understand. Computers and the Internet were not obviously about to change the world when they were invented, and they did so gradually, over decades. The human genome was big science news but too removed from immediate practical benefit to cause dancing in the streets.
Similar explanations seem to apply to achievements in the past. For instance, in contrast to the polio vaccine, I can’t remember reading about any celebrations of Edward Jenner’s smallpox vaccine. The concept of vaccines (and even inoculation, the technique that preceded vaccination) was too new and too controversial. It took time for everyone to believe and accept that the vaccine worked. A century and a half later, after the germ theory was established and there were many clear successes of fighting disease with science, the public was ready to celebrate the polio vaccine.
Take another example, the Haber-Bosch process. This was certainly one to celebrate, but I don’t recall any parades or fireworks for it. Again, it seems perhaps too technical and removed from what the general public could get excited about.
• People celebrate things differently now, maybe in less formal and public ways. As noted, the ticker-tape parades in NYC waned after the mid-1960s. In an era of telecommunications, maybe people don’t have as much of a need to get together in large groups? Maybe 21st-century celebration takes the form of something getting ten million likes on Facebook?
I have a hard time buying this one. We still hold parades for sports championships, launch fireworks for the Olympics, and gather in large groups for New Year’s Eve. I think there is still a psychological need for big, public celebrations.
• We just don’t appreciate progress as much as we used to. I’m not sure we need this hypothesis, in that I think the first two explain all of the observations so far. But I believe it, because it matches a broader trend of waning enthusiasm and growing skepticism and even antagonism towards progress. As a thought experiment, can you imagine Presidential speeches and a brass band at the opening of a bridge today?
What will happen for future achievements?
OK, you might say, bridges have become commonplace. What if it wasn’t a bridge, but the first space elevator? Would that be met with celebration? Or opposition? Or a yawn?
Or take a less sci-fi example. How will we greet the COVID-19 vaccine, when it arrives hopefully in the next year or two? Will people “ring bells, honk horns, blow whistles, fire salutes, drink toasts, hug children, and forgive enemies”? Will they “name schools, streets, hospitals, and newborn infants” after the creator?
Or what if Elon Musk succeeds with a manned mission to Mars? When the first Martian astronauts return, will they go on world tour like Armstrong, Aldrin and Collins?
I don’t know. Maybe! It will be interesting to see.