their latest album Only God Was Above Us is wrenching and it's kind of getting to me lately.
most of the commentary in interviews is about how Koening, now 40 with a 5-year-old kid, has matured and found peace (though if you listen to the lyrics it's an extremely nihilistic sort of being "at peace" with a terrible world and giving up on trying to change it)
nobody is remarking on what I see as pretty explicit themes like:
last album's "Harmony Hall" was about a sense of betrayal regarding Ivy-League antisemitism
this album is pretty clearly a rejection of the backlash, the Gen-X ("Gen X Cops"), ex-Eastern-Bloc ("Pravda"), or specifically Jewish (in the [[Bari Weiss]]/Tablet-mag vein) "vibe shift".
there's a lot of reflection on heritage and generation gaps, there's the sense that someone (his elders? his family?) is pushing him in a direction and he doesn't want to go that way, he thinks it doesn't make sense in his generation, in this era, but he does care enough to be conflicted and to yearn over the pain of people still (mistakenly, he thinks) struggling ("Capricorn").