Oops! That was a mistake. I guess we're re-examining these ones tonight (they are pretty good ones). I have a spreadsheet for tracking this sort of thing, I will make some adjustment there to avoid this mistake again.
Edit: Oh I think I was on vacation that week, which is why I didn't notice.
Screen arrangement suggestion: Rather than everyone sitting in a single crowd and commenting on the film, we split into two clusters, one closer to the screen and one further.
The people in the front cluster hope to watch the film quietly, the people in the back cluster aim to comment/converse/socialize during the film, with the common knowledge that they should aim to not be audible to the people in the front group, and people can form clusters and move between them freely.
The value of this depends on what film is chosen; eg "A space Odyssey" is not watchable without discussing historical context and "Tenet" ought to have some viewers wanting to better understand the details of what time travelly thing just happened.
“A space Odyssey” is not watchable without discussing historical context
… why? I’ve watched this movie, and I… don’t think I’m aware of any special “historical context” that was relevant to it. (Or, at any rate, I don’t know what you mean by this.) It seemed to work out fine…
The content/minute rate is too low, it follows 1960s film standards where audiences weren't interested in science fiction films unless concepts were introduced to them very very slowly (at the time they were quite satisfied by this due to lower standards, similar to Shakespeare).
As a result it is not enjoyable (people will be on their phones) unless you spend much of the film either thinking or talking with friends about how it might have affected the course of science fiction as a foundational work in the genre (almost every sci-fi fan and writer at the time watched it).
This seems like more a problem of phone addiction than a problem with the movie. Newer movies aren't improved by being cut off from using a palette that includes calm, slow, contemplative, vibe-setting scenes.
The amount of empty space where the audience understands what's going on and nothing new or exciting is happening is much, much higher in 60s-70s film and TV. Pacing is an art, and that art has improved drastically in the last half-century.
Standards, also, were lower, though I'm more confident in this for television. In the 90s, to get kids to be interested in a science show you needed Bill Nye. In the 60s, doing ordinary high-school science projects with no showmanship whatsoever was wildly popular because it was on television and this was inherently novel and fascinating. (This show actually existed.)
It was more of a 1970s-90s phenomenon actually, if you compare the best 90s moves (e.g. terminator 2) to the best 60s movies (e.g. space odyssey) it's pretty clear that directors just got a lot better at doing more stuff per second. Older movies are absolutely a window into a higher/deeper culture/way of thinking, but OOMs less efficient than e.g. reading Kant/Nietzsche/Orwell/Asimov/Plato. But I wouldn't be surprised if modern film is severely mindkilling and older film is the best substitute.
Okay, but you're not comparing like with like. Terminator 2 is an action movie, and I agree that action movies have gotten better since the 1960s. But in terms of sci-fi concepts introduced per second, I would suspect 2001 has more. Some movies from the 1990s that are more straight sci-fi would be Gattaca or Contact, but I don't think many people would consider these categorically better than 2001.
Based on my prior experience running meetups, a 15m gap between 'doors open' and starting the discussion is too short. 30m is the practical minimum; I prefer 45-60m because I optimize for low barrier to entry (as a means of being welcoming).
I also find this to be a significant barrier in participating myself, as targeting a fifteen-minute window for arrival is usually beyond my planning abilities unless I have something else with a hard end time within the previous half-hour.
Oh interesting, thanks for the feedback. I think I illusion-of-transparency'd that people would feel fine about arriving in the 6:15-6:30 window. In my head the group discussions start at about 6:30. I'll make a note to update the description hopefully for next time.
Three films got 4 upvotes, and my favorite of them is The Big Short, so that's what we're watching tonight!
1Poll For Films to Watch
Use this thread to
- Thumbs up films you'd like to watch
- Thumbs down films you would not watch
- Add new films for people to vote on
A Boy and His Dog -- a weird one, but good for talking through & a heavy inspiration for Fallout
2
2
Rashomon (Kurosawa in Japanese) epistemics of 5 people who share an experience but have disjoint recollections
21
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