I can't believe I didn't realize this before.
Someone complained elsewhere (I think it was in the other thread) about Harry being the Boy-who-Lived and having a prophecy and having a cold dark side and being super-rational.
From MoR itself:
It's too much coincidence for one girl to be the strongest magically and academically unless there's a single cause.
It's plausible that one of the Muggle-raised students at Hogwarts could be a science nerd. It's not plausible that that student would also be the Boy-who-Lived. There must be a single cause.
I think it's most likely that Harry's dark side is somehow an effect of being AKed. Perhaps he's a horcrux, like in canon. The hat said no, but it's possible that Harry was killed and the only soul left in him is Voldemort's fragment. Or, without positing souls, maybe horcruxing a person overwrites the victim with a copy of yourself.
Harrymort has a warm side because he was raised in a loving household; he doesn't remember being Voldemort because he was stuck in a child's brain, with the plasticity and pruning that entails (or maybe V. wiped Harrymort's memory for some reason?); he didn't survive the attack, but rather his fresh corpse was appr...
"Ghosts," Harry said, his voice flat. "You mean those things like portraits, stored memories and behaviors with no awareness or life, accidentally impressed into the surrounding material by the burst of magic that accompanies the violent death of a wizard -"
"Why," I said to myself, "would you have to die to make a ghost? It seems completely arbitrary." But then I thought that perhaps death releases a huge amount of magic that can't normally be drawn upon safely.
But then I had this wicked awesome idea.
What if a Horcrux is the same effect, harnessed deliberately? That's why it requires human sacrifice -- the violent death of a wizard. A controlled ghost-making, operated by a wizard who remains conscious and alive through the whole process, can bind the mind into an object, arrange for contingent regrowth of the caster from the record... Yes. Horcruxes are ghosts created under controlled conditions.
Which in turn suggests that you might be able to make a dying person into a superghost (or maybe even an immortal living person). Kill them to make a horcrux, but make the sacrifice immortal instead of the caster.
ZOMG! That makes sense! So much sense that J.K. Rowling really missed a chance to have a great Revan Moment in canon. Imagine the shock ending if, as Voldemort staggers from a mortal wound in the last pages of Deathly Hallows, he explains this to Harry, then: "I...am only a shell...and have never been anything more. (cough) My purpose has only been to prepare you...Make you strong...make you gather the Hallows and become invincible... You. Are. Voldemort! BWA! HA! HAAAAAA!"
This would make sense of canon scenes like, for e.g., Voldy's re-animation ceremony in Goblet of Fire only using a little of Harry's blood, instead of having Ratface cut his throat, and how he calls his Death Eaters off and fights Harry solo instead of having them Just Shoot Him.
Back to MoR, yeah, I think "Harrymort" is a fiendishly cool idea! (up-voted)
Is it the author's opinion that the creation of house elves was a terribly evil deed? It would seem that to think that after their creation, they would want to do what they have been designed to do and so would be no more evil than creating an intelligence which would want to bowl and fish all day. Even if we accept that creating conscious entities which are forced by means of their preferences to do menial work is wrong, it would seem to be better to create them, than to force those who don't enjoy such work to do it. Is Harry just confused by his intuitions about the evil of slavery, without sufficient reflection?
ETA: While this argument works in the abstract and is useful for countering human biases against "slavery" and applies in the particular for the creation of Gammas, Deltas and Epsilons, house elves have addition features I wasn't considering which makes their creation morally evil.
Is it the author's opinion that the creation of house elves was a terribly evil deed?
It had been, but...
Even if we accept that creating conscious entities which are forced by means of their preferences to do menial work is wrong, it would seem to be better to create them, than to force those who don't enjoy such work to do it.
...is a powerful argument I had never considered.
Though there's logic to this argument, pretty much everything else about the way house elves were made is evil. They're created, or conditioned to brutally torture themselves if they even think they've displeased their masters or broken a rule. They have no labor rights and can be mistreated at will, to the point that mistreatment is built in as a product feature.
We can only imagine what sort of miserable Dickensian conditions they live in when they're not at work. They're forced to wear ragged, salvaged sacks, as giving them clothes = firing them, i.e. denying them the work and subservient position they're designed to want. This is a needless cruelty on top of everything else. Heck, if I were an aristocrat wizard with house elves, I'd want mine to go around in elegant livery, as a demonstration of how magnificent my Estate is. But I couldn't do that, because the poor little creatures were made (modified?) by a sadist.
Heck, if I were an aristocrat wizard with house elves, I'd want mine to go around in elegant livery, as a demonstration of how magnificent my Estate is. But I couldn't do that
You could get them elegantly embroidered little dishtowels clipped into place with stylized sugar tongs made of silver.
...is a powerful argument I had never considered.
How would you say this relates to the ethics of creating an FAI? In some ways house elves were created for a similar reason that we would create an FAI. Would it be something about 'consciousness' that separates the two constructions ethically? If so, I wonder whether creating a 'helper' agent that in some sense is conscious and 'enjoys' what it does is better or worse than creating a raw optimised agent that we wouldn't consider conscious.
It occurs to me that what a house elf considers fun is not all that much different from the perspective of all of value-space from what we might consider fun.
I think it's worth distinguishing creating work-loving entities ex nihilo from modifying existing entities against their will to become work-loving. Canon rather implies the latter; handling the procedure ethically would be tricky, as baseline elves likely would not only resist being value-enslaved, but would want the children they birth and raise to be like themselves.
Theory: the 'spell of starlight' is a scrying or remote-viewing effect which Quirrelmort originally developed to keep an eye on the Pioneer horcrux. It's strenuous because of the extreme range, possible at all only because of the strong sympathetic connection involved. Reinforcing the sympathetic connection is important to maintain the possibility of Apparating out there, and sharing the experience helps to establish a sympathetic link between Harry's scar/mysterious dark side and the horcrux, which will eventually make it possible to do something nasty to him from far away.
Just occurred to me: if magic ability is genetic, it should in theory be possible to use gene therapy/retroviruses/etc. (and perhaps some magic) to make all the Muggles into wizards! (Or at least all the ones yet to be conceived or something.) I can just imagine Harry creating a Plague of Magic.
Almost certainly not in the timeframe of the fic. I think that 1995 was about the first time we successfully used a retrovirus to cure a human disease, and we still don't have the tech to create a contagious disease to do so.
Why do wizards - particularly in MoR, where most people are smarter - carry one wand apiece? This doesn't seem to be an absolute practical limitation wherein only one wand may be mastered at a time. In book seven, Harry is simultaneously the master of the Elder Wand and his own original with Fawkes's feather in it. Why doesn't everyone habitually walk out of Ollivander's with two, so as to have a spare in hazardous situations or in case one should be lost?
Wands cost 7 Galleons. People throw around comparable sums all the time in canon. Percy Weasley bets 10 Galleons on a Quidditch game, heck, Harry buys three sets of Omnioculars (wizarding binoculars) at 10 Galleons apiece to watch the Quidditch World Cup. Many wizarding supplies less useful than a wand cost considerably more. There really is no good reason for witches and wizards not to carry multiple wands except for tradition. Even the Weasleys could afford multiple wands if they made it a priority.
Eliezer, is there any chance any speaker at the Singularity Summit might open or close with "Happy happy boom boom swamp swamp swamp!"? For numerous reasons, I think it would be most hilarious if Ray Kurzweil could be persuaded to do so.
Upon seeing DinosaurusGede's awesome pic, my first thought was that were I able to draw (I cannot), I would draw Dumbledore wailing on an electric guitar and saying "THIS was your father's rock".
Am I the only one who now wants to campaign for gay rights with the slogan "Death Eaters against homophobia!"?
A few reviewers are speculating that Lucius thinks Harry is Voldemort. Any thoughts on that? I'm not sure yet, but rereading their conversation with that in mind is pretty interesting.
Well obviously I'm not going to popularize a method of immortality that requires killing people! That would defeat the entire point!
Actually...
We know from canon that a Horcrux is really just a backup copy, so that on average you probably only about double your lifespan by making one, at best. But it seems to me that based on what Harry has been told, he should believe that a Horcrux makes you immortal and unkillable. Given this belief, in the absence of any better way of achieving immortality, the spell is considerably better than baseline.
Set up a Horcrux clinic. A pair of people come in, fill out some paperwork, flip a coin in the presence of a notary, and the winner of the coin toss kills the loser to make a Horcrux. If nobody ever cast the spell, the loser was going to die eventually anyway, and if you do it when both parties are close to dying of old age (though this would probably be a needlessly reckless strategy, all things considered) then the loser doesn't even lose all that much.
You could save half of the wizarding world from certain death.
Oh, and Harry didn't even ask whether it might be possible to substitute an animal for the human sacrifice, or make a portrait of...
For all those who say that the 'unconventional ship' hinted at is Hermione/Griphook, I'd just like to say that's preposterous, and there is no way Eliezer would include such a thing in the story.
Sinhababu's 2008 Pacific Philosophical Quarterly article is the definitive essay on acausal ships.
Aww, I liked that element, and it doesn't seem that implausible as such things go; I once heard an apparently sincere conspiracy theory that holds that the reason nobody has ever won Randi's million-dollar prize is because he uses his own prodigious psychic powers to stop them from doing so.
Aw, why? Randi looks more wizardly (and must be shipped with Dumbledore at some point, they're perfect for each other, they're both wise accomplished old white-bearded gay wizards...), and I don't see why Shermer requires less suspension of disbelief. (The main thing that made me confused there was figuring that if Randi were really a wizard but still the Randi we know, he'd probably have long ago tried to scientifically investigate magic as Harry intends to, and made some of the same discoveries and many more, and possibly become a supremely powerful and well-known wizard. Am I on the right track or have I overlooked something else implausible that people complained about?)
It's short for "relationship", but it's also used as a verb, which means to portray or want two (or more) characters to be romantically and/or sexually involved.
Examples:
"I ship the Whomping Willow and the Devil's Snare." = "I am amused by imagining those two plants in a relationship" or "in at least one derivative creative work, I have represented those two plants as being in a relationship."
"This fic contains only canon ships." = "This work of fanfiction romantically pairs characters in the same arrangements they have in the source work."
(41)
So, traitors. Were there any? Did they play any part in the fight at all or was it just the principle of the thing? The whole point of the Draco+Hermione vs Harry war was on the subject of unity. I was kind of hoping for some object lessons on just how much Harry's advantage of being able to trust his soldiers helped him while Draco and Hermione had to put in place extra precautions to protect themselves from sleeper agents. Or, well, even an offhand mention of "Chaos got 3 extra fighters" to acknowledge the issue.
Ch. 33:
The three-way tie, while clearly dramatically convenient for Eliezer, and adequately foreshadowed, is just so boring.
Was anyone else briefly confused because they had forgotten that the war was continuing even after the awarding of the Christmas Wish?
I just had a thought WRT Harry's controversial apology to Hermione in Chapter 42. This is the Harry that lectured McGonagall on the Planning Fallacy, while demonstrating that he really does assume a worst-case scenario (insisting on purchasing a magical first aid kit just in case one of his fellow students ended up maimed and dying in front of him). I think it's entirely plausible that he could have spent the whole time Hermione was falling imagining that maybe he'd forgotten to stir the ground hen's teeth (or whatever) into the Feather Fall potion six t...
This is a boy who casually expressed his intention to rape Luna Lovegood to someone he'd just met, assuming that boy's stated "intention" to murder her was equally casual, and equally serious. Major, major misogyny here.
I don't read that as misogyny. Merely a willingness to utterly humiliate a low status enemy by whatever means practical. If it was Larry Lovegood I expect the conversation would involve castration. Or perhaps sodomy via broomstick.
The most compelling evidence for an afterlife in canon was Harry's "near-death experience" in Deathly Hallows. While "dead", Harry talks to Dumbledore one last time, and Harry learns things that only Dumbledore would have known.
Of course, MoR!Harry doesn't have this evidence.
Harry learns things that only Dumbledore would have known.
Does he? It certainly seems possible that Harry is just filling in the blanks himself. I just went back and re-read it. Consider:
"Explain," said Harry.
"But you already know," said Dumbledore. . .
...
"But if Voldemort used the Killing Curse," Harry started again, "and nobody died for me this time -- how can I be alive?"
"I think you know," said Dumbledore. "Think back. . ."
The information that Dumbledore actually does provide to Harry is either inconclusive or insubstantial -- e.g. Harry asks about the peculiar behavior of his wand, and Dumbledore says he cannot but guess. Harry asks where they are, Dumbledore cannot answer and says that they are where ever Harry thinks they are. Harry asks about the Deathly Hallows:
..."Real, and dangerous, and a lure for fools," said Dumbledore. "And I was such a fool But you know, don't you? I have no secrets from you anymore. You know."
. . .
So you'd given up looking for the Hallows when you saw the Cloak?"
"Oh yes," said Dumbledore faintly. . . "You know what happened. You know."
[I]f we lived in the sort of universe where horrible things were only allowed to happen for good reasons, they just wouldn't happen in the first place.
I love this line and am probably going to be quoting it frequently.
Edit: ...and Harry was pretty magnificent in that scene, in general. "Wrong! I want the secret of the Dark Lord's immortality in order to use it for everyone!" was one of my favourite moments, even if Harry was mistaken about the feasibility of that particular plan.
Chp 39 (the Dementor)
I think that Dumbledore and Harry were too quick to conclude that the Dementor could just be used as a distraction. It was Harry's first idea (once he turned cold), and Dumbledore stopped him there. Cold!Harry didn't even spend 5 minutes on the problem - compare with Harry's instructions to Fred & George in the Hold Off on Proposing Solutions MOR chapter. If there's a plot, that seems much too obvious for Quirrell.
What immediately occurred to me (similar to the infamous scene in The Princess Bride), is that if your opponent believes you will have a distraction and a real attack, simply lauch two real attacks, with the expectation that whichever one the opponent takes to be the distraction will succeed. Obviously this requires a greater sacrifice of materiel, but Quirrelmort doesn't exactly seem short in that department.
while he'd never been young enough to believe in Santa Claus, he'd once been young enough to doubt.
This line probably improved the upbringing of any future offspring of mine. I had considered either being totally honest, or telling the typical Santa stories as a low difficulty exercise in spotting falsehoods you're raised with.
Now, I'll still casually detail the Santa myths while being honest about his nonexistence, but I'll also adopt the parental Santa role, down to using magic tricks to make presents appear at midnight, and reindeer tracks in the l...
if Hitler had been allowed into architecture school like he wanted, the whole history of Europe would have been different
Is this a subtle difference from the real world, or just Harry thinking more deeply?
As I understand it (confirmed by Wikipedia), Hitler was rejected from a school for pictorial art, not architecture. However, Wikipedia has more: the art school recommended that he become an architect instead, and Hitler agreed. However, Hitler never bothered to apply to architecture school, because he lacked the necessary academic qualifications (inc...
Regarding Chapter 38: Am I correct when I say that Lucius Malfoy is modeling Harry as a level 3 player (pretending to be an ignorant player pretending to be a knowledgeable player), when Harry is actually level 2 (an ignorant player pretending to be a knowledgeable player)?
I had a recent conversation with a few friends of mine about life extension, death, etc, brought on by reading the chapter from HP&MoR where Harry discusses the topic with Dumbledore. I used all the standard arguments (their general response was 'it would be boring'), and eventually used the word deathist. After hearing the word, one of my friends recast their position, jokingly, as "anti-liveite", which made me realize the whole thing might just be arguing politics.
Ch. 42:
The idea of casual acceptance of homosexuality in magical Britain doesn't seem to be thought out fully. Even this very chapter (and I've noticed that major premises from one chapter tend not to show up in others, but that's a separate issue), there's the casual assumption (inherited from canon, inherited in turn from most of Western media as a whole) that "thinks Harry/Draco is hawt" equals "female". About fifteen percent of those squeeing fans should have been boys.
Before puberty, identification with a sexual orientation would have to be completely socially constructed, so in a gay-friendly society most people should identify as bisexual by default.
A society can be gay-friendly and still heteronormative. In fact, I'd say that contemporary First-World youth fit right into that, although gay-friendliness hasn't spread to the whole society yet. Still, as long as heterosexuals are most common, gays and bis will still be seen as unusual, even if OK. So socially, I expect that most people will still assume that they're het until they learn otherwise.
However (contradicting both you and me), there are gay people who say that they knew that they were gay from a very young age. On the other hand, puberty has been known to mess with one's expectations.
Generalising from one example: I can't quite describe the environment that I grew up in as gay-friendly, only moving in that direction. Perhaps if it had been, then I'd have identified as bisexual at puberty, but perhaps not. In any case, it was a heteronormative environment, so I expected to be attracted to the opposite sex, and was. Then I jumped to conclusions, self-identified as het and suppressed my attraction to the same sex (ETA: because it messed with my idea of who I was) for another ten years. (Before puberty, I was completely asexual.)
The real answer, of course, is that Hogwarts is shaped after British public schools, and it inherited gender-based dorms just like it did the four-house system.
A possible justification/rationalisation is that there are drastically different dynamics between a sexual attraction that involves a vast majority of the population, and one that involves a minority: heterosexual affections are much more likely to be potentially returned, compared to homosexual ones. Hence, while the occasional homosexual affair will sprout up in an all-male/all-female dorm, a mixed teenage dormitory would be completely overrun with drama, awkwardness, and unpleasant sounds and smells.
I can think of a good reason for segregated dorms: In the MoRniverse at least, rape is something aristocratic boys can do casually with the full expectation of getting away with it. Not to mention panty raids and other assorted sexually-harrassing nonsense. Even in a society without medieval/Victorian mores, girls would still need a place of relative safety in which to sleep, shower, dress, etc..
Harry has already noticed that he gave too much information to Dumbledore, but now he trusts Quirrel too much.
Let it stand that there is something else I must do this afternoon.
To wit: find that stone which I saw earlier and which I now recognise from the design that you showed me!
The following is my speculation about where the plot of the story is going. It is just speculation, but on the off-chance that any of it is correct and non-obvious, it will contain spoilers.
Solid control by a central authority seems to be more difficult for magic folks. (e.g. A few dozen Death Eaters nearly brought down the government). I assume this is because Apparition makes control of transport impossible, everyone having wands makes control of dangerous weapons impossible, and the Imperius curse makes central authority untrustworthy and spreads paran...
One illustration of this is that in Goblet of Fire, there is a point where canon!Harry on a broomstick faces a dragon called the Hungarian Horntail... which in Ch. 16 of Methods is said to breathe fire quickly and accurately enough to melt a Snitch in midflight, implying that canon!Harry would have gotten roasted in an instant if he'd tried the same thing in this universe.
What if, in accordance with the Tournament's goal of providing an interesting challenge and spectacle without massacring all competitors, the dragons were actually subdued or sedated ...
The big speech by Quirrel troubles me.
I thought we had Word of God that Quirrel was in some way Voldemort (Quirrelmort), and that we should've become certain of that early on (especially with the Voyager horcrux implied).
But the speech doesn't make sense for me. If Voldemort was so close to winning, if it took a freak Black Swan to defeat him and his followers, if magical England is still utterly incompetent, if many of his followers are still at large (as we know from canon they are), if...
Given this situation, why doesn't Voldemort just start over? The p...
My impression is that in MoR Voldemort was a passionate young revolutionary in the first war, but since then he's gotten older and his outlook has changed. He sees the muggles as the greatest threat now, and he recognizes that his history means he can't take power in his own name without a long and devastating series of wars that would leave the magical world exhausted and vulnerable to this outside threat. So it would be rather convenient if he could sway Harry to his way of thinking and arrange for the wizarding world to unite under a leader who sees him as a mentor...
I agree with your analysis.
But gwern's description of Harry's victory over Voldemort as a "black swan" doesn't satisfy me. The canon explanation - that the Power of Love auto-defeats all dark magic, and either no one had ever noticed this before, or Voldemort just assumed no one would use that strategy despite its obvious game-winning power because Evil Cannot Comprehend Good - doesn't seem like the kind of thing that would cut it in Methods.
One remote possibility is that Voldemort realized he'd inspired so much hatred that he'd never be able to unite the magical world without first breaking its power so badly it would be useless to him, so he found a kid with Dark Lord potential, stuck enough of his soul into him that he felt in control, and then faked his own death in such a way as to make his chosen heir the sort of hero whom everyone would rally around. This is probably too complicated for a smart Slytherin who'd seen The Tragedy of Light to try, but there's got to be some sort of weird explanation for why Voldemort lost ten years ago, and why he lost to a kid with precisely the sort of plotting ability and mastery of Muggle methodology Voldy needs for his plots.
ETA: There is now a third thread, so send new comments there.
Since the first thread has exceeded 500 comments, it seems time for a new one, with Eliezer's just-posted Chapter 33 & 34 to kick things off.
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